His portfolio reflects years consumed with trekking the globe, but photographer Jauder Ho only rediscovered his love for the art several years ago. Taking advantage of an opportunity for a vacation for the first time in over a decade, Jauder Ho ended up taking a trip to Japan including a trek up Mount Fuji. That followed by the road trip of a lifetime driving across the States had a profound effect on how he perceives the world. Since then, Jauder Ho has seen the world shot by shot, each one serving as a reminder of changing moments in time. In his portfolio, Jauder Ho juxtaposes long exposure shots of beautiful scenery with pictures focused on details that explain more to the story. Jauder Ho strives to take portraits that describe the feelings of his subjects and reflect his ability to arouse emotions from the viewer. Combining skills acquired from continual photography with what it takes to see life on stills, Jauder Ho has created a body of work that reflects the world both great and small. Here, Jauder Ho brings you selected content from his personal collection as well as sharing interesting items found from the Internet. Identica
If this looks familiar, then you should keep looking : Flickr Fav:

This is the Astoria-Megler Bridge in Astoria. The night we drove down to deliver my show for hanging at Lightbox, we of course stuck around for dusk. When I was a “young” photographer I was taught that the magic hours at the beginning and end of the day were everything. To wait for that light and worship it, to not bother with any other light but magic hour light. Now they are often distant thoughts, not because I don’t still enjoy a great sunrise or sunset (definitely more sunsets than sunrises mind you), but because I have learned to pay more attention to all the other hours of the day. I joked once with a photographer friend that I was going to put together a book all of photography I have done during the middle of the day under harsh light. I may, I may not, I have a lot of other ideas on the same burner. But I think twilight and dusk have settled in as my favorite light. It is soothing, meditative, and reliable. Just right for me, especially at the end of a hectic day, such as that day, or this one. And of course, I always enjoy a good bridge.

If this looks familiar, then you should keep looking : Flickr Fav:


This is the Astoria-Megler Bridge in Astoria. The night we drove down to deliver my show for hanging at Lightbox, we of course stuck around for dusk. When I was a “young” photographer I was taught that the magic hours at the beginning and end of the day were everything. To wait for that light and worship it, to not bother with any other light but magic hour light. Now they are often distant thoughts, not because I don’t still enjoy a great sunrise or sunset (definitely more sunsets than sunrises mind you), but because I have learned to pay more attention to all the other hours of the day. I joked once with a photographer friend that I was going to put together a book all of photography I have done during the middle of the day under harsh light. I may, I may not, I have a lot of other ideas on the same burner.

But I think twilight and dusk have settled in as my favorite light. It is soothing, meditative, and reliable. Just right for me, especially at the end of a hectic day, such as that day, or this one.

And of course, I always enjoy a good bridge.

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